You might not
think of Dunfermline as a hotbed of rock
talent but over the years it has produced
The Skids, Big Country and of course the
granddaddy of them all Nazareth. When a
local promoter was looking for someone for
the grand re-opening of historic Dunfermline
landmark the Alhambra Theatre it was
Nazareth who were the obvious choice.
First
band of the evening were Glasgow’s Wired
Desire, a young band who’ve been touring
incessantly and getting themselves noticed
in the process. Their brand of Guns ‘N Roses
meets AC/DC grunge never happened rock
proved infectious and enjoyable and they had
the swagger to carry it off. Tonight’s short
set was all original material and went down
a storm with the crowd. Sometimes they
seemed a little unsure what to do with such
a big stage and maybe the quality of the
songs ebbs and flows a bit but generally
they were excellent and the crowd lapped it
up. Following Wired Desire was the Stevie
Agnew Band featuring not just one but two
sons of Nazareth bass player Pete
Agnew. They provided a set of earnest
well-played middle of the road rock, sort of
like Bryan Adams mixed with a little
Coldplay. It was even less exciting than
that sounds and the crowd generally lost
interest but the last two numbers had a more
anthemic quality and ended the set on a high
note.
As a
wee surprise the evening’s MC announced a
special appearance from original Nazareth
drummer Darrel Sweet’s first band ,as a
tribute to the man who passed on too early.
On marched the Burntisland Pipe Band to play
a couple of songs but once the skirl of the
pipes had faded away it was finally time for
the main event. I don’t know when Nazareth
last played the Alhambra but the first time
any of them graced the stage was when a nine
year old Pete Agnew won a talent competition
in 1955. This time there were 1,200 or so
people ready to rock with the rather more
grown up Pete and his band mates on their 40th
anniversary tour.
These
days they are really a band of two
generations with the drum stool being
occupied by Darrel Sweet’s son Lee. He
doesn’t let his dad or the band down in any
way and makes a formidable rhythm section
pairing with Pete Agnew. The guitarist spot
has been held down for 14 years now by Jimmy
Murison, a formidable player and quite
capable of filling the sound with great
riffs or melodic soloing and very, very
impressive. OK the fact that the rest of the
band let him off the leash a couple of times
for some pointless 70s style soloing was
annoying but when he was playing within his
role in the band he was brilliant especially
during new brooding, atmospheric song “The
Gathering” and long time live favourite
“Morning Dew”.
The
thing that makes Nazareth really
recognisable though is the cognac and
nicotine soaked vocals of Dan McCafferty.
Over the years he has lost none of his power
but gained even more of a gravely note to
his voice without losing the warmth and
melody. He’s also a fine frontman with an
ironic sense of humour, looking a little
like Billy Connolly. The set itself
consisted of a few songs from new album “The
News” plus a trawl through their back
catalogue and it was great to see the band
back on form, and after a few years playing
club gigs in the UK back on a big stage with
a big crowd roaring them on. From opening
track “Beggar’s Day” through “This Flight
Tonight”, “Whiskey Drinking Woman”, “Hair Of
The Dog” to closer “Broken Down Angel” they
barely put a foot wrong and left the stage
to rapturous applause. If you haven’t seen
this band before or haven’t done for a few
years I recommend you don’t wait for the 50th
anniversary tour!
Ian Sutherland