Scandinavia has been the spiritual home of Doom/Death metal
for years with various bands ploughing the heavy riffed
furrow with various degrees of interest from the rest of
Europe. So Sweden’s Opeth appear at first glance to be
entrenched firmly in that genre, but to dig a little deeper
is to find something far more bewitching.
This
latest release may lead to a new genre/category. After
experimentation with the “heavy” Deliverance and the
“lighter” Damnation CD’s they have managed to meld the two
conflicting styles with great skill and some fine songs to
achieve, well, for want of a better word DoomProg!!(ProgDoom?,
I dunno!!!)
Singer Mikael Akerfeldt morphs from primeval gutteral
growling to perfect AOR as the mood of the songs alternate,
and a fine pair of lungs he has. You would swear they were a
different guy, maybe they are!!
Opening track Ghost of Perdition slams into a volley of deep
strapping riffs coupled with the aforementioned growling,
subsequently fading into acoustic guitars and a tinkly
mellotron organ and we are in Argent/Camel and even Floyd
territory. Despite the bizarre premise the music ebbs and
flows, these guys are more than proficient musicians and the
organ and guitar solos manage to reflect a prog-rock era
gone by but still remain fresh.
All
the tracks are of traditional proggy (self indulgent?)
length, usually over the eight minute mark, yet the ideas
within captivate and sustain your interest. The myriad of
time changes and layered texture of the songs and of the
various instruments used keep the ear interested, and every
now and again you are reminded that this is doom with some
chunky D-tuned fretwork binding it all together. For me
there is no outstanding track, the memorable riff in The
Grand Conjuration is superb, but all in all this isn’t prog
with doom bolted on or vice versa, it’s a cleverly conceived
hybrid.
Quite
possibly one of the albums of the year, it one that will
appeal to a wide rock audience. Oh and nice to see daft
songs titles, reminiscent of Rush in their pomp, like
Reveries/Harlequin Forest. What’s all that about?