2006 was
rather a good year for Lauren Harris. As well as
playing her own shows she also managed to pick
up shows with Alice Cooper and slots at
Download and Germany's Rock Im Park. To round
the year off she also blagged the opening slot
on Iron Maiden's Japanese and European tours.
Having chatted to Lauren before it was more than
time to catch up with her and find out how
things are going....

Lauren & band
at soundcheck - Newcastle
When did you
find out about the chance to support Iron
Maiden?
LH – It was
about a month prior to Japan. We managed to get
a couple of warm up gig’s under our belt to get
used to playing again but apart from that it was
pretty much in at the deep end.
When you
found out did you think I’m supporting Iron
Maiden or my dad’s band?
LH – It was a
bit Iron Maiden but it was mainly dad as I know
so many of the backstage crew. I was scared of
letting them all down as well.
So how has
the tour been going for you?
LH – This
tour has been brilliant for me. I was very
nervous when I was supporting Alice Cooper
earlier this year & when I got to Japan it was
like Oh my God! In fact it wasn’t the fact that
I was going to be playing to venues who had
8/9,000 capacity, I was more worried about what
everyone backstage was thinking & didn’t want to
mess up. Japan itself is so different though.
Although I have visited the country twice, once
as baby & once when I was about 10 or so, I
couldn’t really remember much about the place.
While in Japan we stayed in the same hotels as
Iron Maiden, but back in the UK it’s back to
separate hotels.

Has your view
of what your dad does changed at all as you have
now been on the road yourself?
LH – Not
really as he's not a different person on tour as
he is always level headed & likes to know what’s
going on. He is also strong willed & can be
stubborn. It’s just been a case of seeing how he
is with many other people rather than just
family & friends as normal.
What’s the
crowd reaction been like
LH – On the
whole very favourable. I especially find that
when I ask the crowd to put there hand’s in the
air if I then repeat it with PUT YOUR FUCKING
HANDS IN THE AIR it really work’s as they don’t
expect a small female on stage to come out with
this.
What’s it
like to play on larger stages?
LH – In a lot
of way’s it’s easier as you have a lot more
space to move around & with the bigger
audience’s I’m nervous & scared a bit.
With that in
mind what have you learnt from these shows?
LH – I have
learnt to have fun on stage & taking it all in
can be overwhelming. The real big thing is how
important times are & making sure you are on
time for sound check. It’s really been about
learning the logistics on a tour like this.

So with the
high profile of touring with Maiden are you
getting recognised at all?
LH – During
the tour after I have finished my set I
sometimes go to the sound desk to watch Iron
Maiden a few people have stopped me to speak
which is a nice feeling especially if they have
nice comments to make.
Have you sold
much merchandise?
LH – We have
sold a few shirts in the UK & we were really
pleased with the sales in Japan.
The last time
we chatted you said that your album was almost
finished, how's it coming along now?
LH – The
album is close to completion but with this tour
it’s been put on the back burner a little bit.
Once the tour is over we'll head back into the
studio to finish it. We have at least 14 tracks
to choose from for the finished product.
Do you have a
record deal yet?
LH – Not at
the moment in fact two record companies are
coming to Earls Court but we are not too worried
about a deal at the moment. We are more
concerned with creating a buzz in fact we may
even release the album ourselves. We don’t want
to get a deal with a company who wants to turn
me into something I’m not it’s all about finding
the right deal & not just taking the first
that’s offered.
So at this
point in time would you say you are ahead of
schedule with your career plan?
LH – Oh way
ahead. We really didn’t know how the Iron Maiden
crowd would react as I have a different sound to
dad’s band. Trivium have an altogether heavier
sound & I was worried about the reaction. Our
first gig was in Alborg, Denmark & even my
drummer/producer Tom McWilliams was worried but
the response was really great we were so pleased
we could hardly believe it.

On a
slightly different note, what was it like being
photographed by Ross Halfin?
LH – To be
honest I hate having my photo taking &
thankfully in Japan it wasn’t a formal shoot as
dad & I were just walking around & we were in
front of a wall of light & then had some
pictures taken. Dad is also into photography
himself.
Is you’re my
space site still getting loads of hit’s?
LH – Yes this
tour has done us a lot of good.
What are you
doing next?
LH – Well
Tuesday 19th December is a day off so
I’ll be out Christmas shopping but I am looking
forward to having a break over Christmas...
If 2006 has
been a busy year for Lauren, then for her dad
Steve and Iron Maiden it has been, arguably, one
of the best years of their career. At the time
of writing Different Worlds is sitting at number
3 in the UK singles chart. It's parent album. A
Matter Of Life And Death has been a critical
success worldwide, even breaking the band into
the USA Top Ten for the first time and of course
their live shows have been virtually sold out
throughout the world. Catching up with Mr.
Harris prior to their Newcastle show on the UK
leg of the tour HardRockHouse tried to find out
just what makes Maiden so unstoppable....

Hi Steve,
thanks for talking to us, first up how has the
tour been for you so far?
SH - It's
been a great tour and a real challenge playing
all the new material. With this much new stuff
in the set it makes us focus more as a band.
We've generally had really good reactions from
all the fans and most of the venues have been
sold out. The crowds is Scandanavia were mental,
but both Barcelona and Milan were intense.
With just
a handful of shows left do you personally feel
“thank god it’s nearly over” or is it more a
case of ‘I wish it could go for another three
months”?
SH - It's
been a relatively short tour by Iron Maiden
standards and so not too bad. We are planning on
coming out again though in 2007 although at the
minute it would be unfair to announce any
details until everything's in place. (editors
note: since the interview maiden have confirmed
their appearance at Desert Rocks in Dubai and
Bruce commented on the UK tour that they would
be playing an outdoor show in the UK sometime
this year)
The decision
to play the new album in its entirety was brave,
and perhaps in some quarters a touch
controversial, how much discussion did you have
before finally deciding to go for it?
SH - Brave,
or stupid? It just felt right to make a
statement with the new record. It felt good in
rehearsal and then we suggested it to Rod. We
told Rod though that if we played the entire
album we wouldn't bottle it after four or five
gigs as we had made out bed and would have to
lie in it. It's a challenge playing the whole
album, but we enjoy the challenge and it
definitely makes us work harder each night. Sure
there's been some moans on the forums but to be
honest I don't go on there a lot, although
luckily some of the new rules on there have
changed this a little.

In a 2005
interview with Classic Rock Bruce was quoted as
saying “From now on you should expect a live DVD
and double album after every tour”, so does that
mean at some point in the future there’ll be a
record covering this tour?
SH - Who
knows. We've been filming and recording on this
tour, as with every tour but whether it comes
out all depends. I tend to do all the work with
the live albums and DVDs and although I've tried
giving it to someone else it always ends up back
in my lap and it's like more work then.
In the ‘Run
To Hills’ biography you are quoted with regard
to the ‘Ed Hunter’ tour as saying about playing
a greatest hits set that it “felt a little bit
cabaret and that you “found that difficult”
Given that the band are now interspersing album
tours with the retrospective shows and that the
next tour will be built around the Powerslave
era, do you still feel the same way, or do you
look at your back catalogue these days from a
different perspective?
SH - Yeah the
tour will be loosely based around the Powerslave
album but, to be honest, we haven't planned
anything yet. It's the next step from the Early
Years tour though. Ed Hunter was difficult to
play as we had nothing new to promote - it was a
best of with Bruce back in the band. With the
early years shows we had something to promote so
it made sense to play a set based around those
albums. You know we were playing songs that were
twenty odd years old and a lot of them we hadn't
played since Janick and Nicko joined the band so
we had to relearn a lot of them
Moving on to
the album itself, as with the previous two
studio albums A Matter Of Life And Death sees
more of a collective approach to song writing
than in earlier days. Has this been a conscious
decision?
SH - Yeah it
was a more collective approach, working with
Bruce and Adrian but it wasn't a conscious
decision, it was just the way it worked out. It
does take some of the pressure off me though
knowing that the others have brought some great
songs in. There were a lot of different
partnerships this time round. Janick brought
some great stuff in and I worked with him
arranging the best bits and moulding them into
songs.
On the DVD
that came with the album it appeared as if
everything, even down to the running order of
the songs was worked out before you entered the
studio, was this indeed the case?
SH -
Everything was worked out pretty much before we
got into the studio. We were well rehearsed and
to be honest we only flipped two songs around in
the running order once we started recording.

Also on the
DVD you discuss the different ways both you and
Bruce approach writing lyrics and melodies. With
this in mind how do you decide which of you will
actually write lyrics to particular songs,
especially where you came up with the melodies?
SH - yeah we
do differ in that respect. Bruce is more of a
lyricist than a songwriter and usually writes
with other people. I still think I am right
though and that the melody is the most
important. If you write three syllables where
the melody needs two it changes the melody and
it may not be as strong. Bruce will always say
it's the lyrics that are more important. It's
all much easier now that we are older though, we
don't tend to fight. As to who writes the lyrics
- good question. It depends mainly on who's
working on a song first. If it's mine then I
tend to write the lyrics, whereas as I said
before Bruce mainly works with other people.
‘Out Of The
Shadows’ arguably comes closer to Bruce’s solo
material than anything Maiden have attempted in
the past. Was there any apprehension recording a
song that had such similarities to Bruce’s own
work?
SH - I don't
agree there. We've done similar stuff before
'Bring Your Daughter' was definitely a Bruce
song as was 'Wasting Love'. Everyone has
different impression though.
I believe you
also chose not to have the new album mastered,
is this an indication that in some way you were
unhappy about the final outcome, sonically, of
the last couple of albums?
SH -
Mastering can change the entire sound of an
album. In the days of vinyl the engineers we
used were at the top of their game. With digital
there's not as many experts and you can work
months on a record and the mastering changes all
the frequencies and the mixes as they try to
cram as much level out as possible

You have also
chosen to release Different Worlds as the second
single from the album. Releasing it at
Christmas, is this aiming for the number 1 spot
again as with 'Bring Your Daughter'?
SH - It's a
different strategy. Rod wanted Different Worlds
as the first single but we went with a different
approach with Benjamin Breeg. Rod loves chart
positions and although their great it's not the
be all and end all. You always have hopes with a
single, we would love a Number 1 though, number
two is like close, but no cigar and it makes
people proud and gives a kick up the arse to
non-believers
Bringing
Lauren out on tour with you must be a great
feeling, but did you have misgivings about how
she would be received by Maiden/Trivium fans
given that her music is not quite as heavy, or
involved, as perhaps what they might be
expecting at a Maiden show?
SH - It's
fantastic. I'm really proud of Lauren as you
have to be good, no qualms about it, to cut it
in front of a Maiden audience. I've seen a few
bands over the years not go down well at all.
With three bands on the bill it's not easy as
there can be only a third of the people in when
she hits the stage. But Lauren's gone down
amazingly. It just shows how hard the band have
worked, she just loves to take an audience on
and have a go
So do you
feel like her boss or her dad on this tour?
SH - A bit of
both, but mainly her dad. I can give her info
and encouragement about what to expect each
night from the audiences. Some places are more
laid back, other more expecting and I can pass
this knowledge on. Most nights I watch from side
stage and I always encourage what she's doing
Do you feel
that it’s harder for younger artists, such as
Lauren, these days to actually build a career in
the music business given the emphasis on instant
success and celebrity rather on quality and
gradual growth?
SH - Yeah
it's definitely harder and harder with all of
the downloading going on. These are changing
times and you can record an album in your own
room these days

And with that
we all headed off to see Lauren rock the crowd
in Newcastle. Many thanks to Steve & Lauren
Harris fort taking the time to speak with us and
to Steve Altman for arranging the interviews and
photo passes.
Jackie Rull & Steve
Cummings