Following our recent interview with
guitarist Mike Byron-Hehir Hardrockhouse
caught up with founder member, bassist,
vocalist and songwriter Les Holroyd on
the eve of the bands most extensive tour
of the UK for some years.
Hi Les and thanks for taking to us here
at Hardrockhouse. I’d like to kick off
with a question about the 2006
orchestral shows in mainland Europe. BJH
last toured with an orchestra in the
early 70’s, nearly bankrupting the band,
what convinced you to take one on the
road again after more than 30 years?
LH - I never thought that I would work
with orchestra live again, until we were
approached by our German Promoter. He
had the idea of working with an
orchestra and initially we didn’t know
which orchestra he had in mind. Of
course when we found out it was the
Prague Philharmonic, we couldn’t resist
the challenge of putting Band and
Orchestra back on tour together.

Les
Holroyd
The recent DVD / CD release ‘Classic
Meets Rock’ documents the orchestral
show. Are you pleased with how this has
come out and was the French show a
particularly strong performance on the
tour?
LH - We are very pleased with the DVD,
it captures the concert brilliantly. In
fact, the French show had a somewhat
chaotic sound check. We only had time
for a “line-check” because of all the
technical things going on, cameras etc.
We never got a run through of any song
or even monitor checks, so considering
this, the concert was a huge success.
In a few weeks you’ll be embarking on
your most extensive tour of the UK since
the early 90’s. I suppose the obvious
question is why has it taken so long for
this to happen?
LH -The Band have been incredibly busy
touring and playing Festivals in Europe
over the past years. We didn’t want to
undertake a UK tour until we thought the
time was right. i.e. The right venues,
promoters etc. Now, we feel, is the
right time.
When you played a few co-headline UK
gigs with Asia in 2005 it was something
of a truncated set, so can we look
forward to the full show this time
around and have you any surprises in
store?
LH -The show this time round will be at
least two hours long and will have a
combination of new songs and “back
catalogue” material which has been
requested by many of our fans. Hopefully
something for everyone.
With such an extensive back catalogue
to choose from how do you go about
selecting the songs that will make the
set list?
LH -It’s always a problem choosing songs
for live performance. Everyone has their
own favourites and in the end, we just
have to choose a cross-section that will
fit together as a complete show
musically.
BJH became a massive band in Europe,
and Germany in particular, and the UK
took a back seat for a number of years.
Presumably you had to go where the
sales, and therefore the audience, were.
But do you ever regret that you had to
make that move.....
LH -I don’t regret being in Europe and
particularly Germany, although it would
have been nice to have the same sort of
success in England, so we could have
played more concerts here. We have been
very fortunate in being around for so
long but at the time you can’t really
say how long you can continue in this
business. So, yes to an extent, you have
to take what comes to you and most of
the time this does mean playing to
audiences where your material is most
successful.

If all goes well with the upcoming
dates could you envisage the UK becoming
a regular part of your touring schedule
going forwards?
LH - We are already looking to do
another English tour, maybe later this
year. That would be great to continue
touring here.
Of course someone who will be missing
this time is Mel, who sadly passed away
in 2004. After having known him from a
very young age this must have been a
terrible personal blow to you - did you
ever consider calling it a day after his
passing?
LH - Over the past few years, there have
been several such blows but you have to
continue. I know Mel would have wanted
that. The first gig without him was
really difficult for all of us but
somehow we feel he is always with us on
the road.
Going back into the past BJH were
regarded as being very much a part of
the Progressive Rock genre (whatever
that was?!). Were you happy with that
‘label’ at the time – and do you still
regard yourself as ‘Progressive’?
LH - “Progressive” is a much better
label to be stuck with than a lot of
other labels around at the moment. At
least it sounds like you are moving
forward rather than stuck in the past
like a lot of bands from our era.
I’m intrigued to know just how that
distinctive early ‘BJH’ sound came about
– was it simply the arrival of the
Mellotron, or was there more to it. Was
it a conscious decision to try to create
a ‘new’ sound, to look for 'uniqueness’?
LH - In the early days, we listened to a
lot of American music which was around
at the time. I guess that influenced us
a lot and this, coupled with the fact
that we were part of the English “music
scene” at a time which consisted of
bands like Pink Floyd, Genesis, Yes etc,
began to form the basis of the Band’s
music.
The Mellotron was just an instrument
which happened to be available at the
time and was being used by very few
bands because of its unreliability on
the road. Thank goodness for the
“Digital Generation” of keyboards!!
On a lighter note have you ever been
tempted to bring the Mellotron out of
retirement? I’m sure there must be a few
gathering dust in garages up and down
the country.
LH - Absolutely not! It a real “pain in
the arse” to tour with and was
constantly being repaired. Dodo springs
to mind. I suppose someone, somewhere
thinks it’s still worthwhile! You have
to move on.

As an event the ‘Berlin’ concert in
1980 is something the band will always
be associated with. Do you have many
memories of the day itself and is it one
of the things you will tell the
grandchildren about?
LH - The Berlin gig of 1980 was a
fabulous event and very frightening to
see so many people that had come to see
us. Obviously we had a very busy
schedule on the day, T.V., Radio, Press
and meeting with the Berlin Senate at
the time. There were also political
undertones to the event which various
newspapers tried to pick up on and get
us involved with but we just wanted to
play our music.
Several things spring to mind that
happened that day. First, travelling to
the Reichstag in a convoy of “Stretched”
Mercedes with motor-bike outriders. We
were waved on through all the traffic
lights by special police! Then the gig
itself was amazing. We turned some of
our huge P.A system to the East so that
people over there could hear it too.
Apparently, there were around 170,000
people in the streets of East Berlin
listening!
The Guards were very nervous and put on
extra patrols, dogs and lights in “No
Man’s Land” but even with all this
security, some people managed to get
across to the West that night as the
concert was on! That was just amazing
for us.
The 80’s were a difficult period for
many of the established ‘rock’ bands and
a lot of them either fell by the wayside
or changed almost beyond recognition.
During the three year gap between
‘Victim of Circumstance’ and ‘Face To
Face’ did you think that BJH would come
to an end and how difficult a time was
this for you?
LH - We were always fortunate enough to
have live music and concerts to play
throughout the ‘80’s and ‘90’s in
Europe. A lot of bands just relied on
album sales without doing too many live
gigs. It has always been a strong side
of this Band and now with the “new”
line-up, it’s even stronger. There was a
time in the ‘80’s when the whole
Industry lost itself and people thought
it was the end of Rock. Fortunately,
there were enough bands around at the
time to keep the flag flying.
For anyone considering investigating
the back catalogue which two or three
albums would you pick out for them to
start with?
LH - There are many albums to choose
from, it’s really difficult when you are
put on the spot to choose any favourites
which represent the Band’s past. There
are tracks on most albums that you
personally enjoy and this is why, from
time to time, compilations appear. I
suppose for me, “Time Honoured Ghosts”,
“Ring Of Changes” and of course, our two
“new” albums, “Revolution Days” and
“Classic Meets Rock” are among the ones
which I think most represent the Band.
Looking ahead, would you like to
record an album of new material at some
point in the future? Are you still
writing songs on a regular basis and
might the rest of the band be involved
in the writing process?
LH - I never stop writing songs. I’ve
got tracks waiting to be recorded when
we have the time this year. It’s
important to get the Band’s input,
particularly when you come to do the
tracks live. So, to this end, we may
play at least some of the tracks live
before putting them down for an album.
It’s been more or less 40 years now
since BJH began. What motivates you to
keep going?
LH - I love playing music, especially
live. I’ve met so many great people in
this profession. I love to travel and
just the whole “vibe” of being on the
road.
Away from music what other interests
do you have?
LH - I used to be involved with horses
when I wasn’t doing gigs or recording
but they’ve taken a back seat now, since
my Wife’s fatal accident with them in
2002. I have my son working with me now
and he’s very enthusiastic, so hopefully
he’ll continue in this business too.
And finally, is there anything else
you wanted to add that we haven’t
already covered?
I would like to say to all our fans and
friends who have supported us throughout
the years, that we could not have
continued without them and hopefully
they will be pleasantly surprised to see
us in the UK again!
Les, many thanks for your time and
good luck with the tour.
Thank you.
Many thanks to Les’ manager, Alex,
for co-ordinating the interviews with
Les and Mike and also to Pudders from
The National Midday Sun for helping me
with some of the questions and
background info. As a reminder Barclay
James Harvest Featuring Les Holroyd tour
the UK in February and March, and are
supported by John Young. For full
details of the tour, and the DVD / CD
“Classic Meets Rock” check out:-
www.barclayjamesharvest.co.uk and
http://www.myspace.com/bjhflh